Sunday, July 22, 2007

WHO WOULD JESUS BOMB?


Thus every writer's motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
- Roland Barthes, The Pleasure of the Text

Everybody keeps asking how it felt, so: It wasn't a blur. We did get to eat. My uncle, the retired minister who officiated our ceremony beautifully, didn't even call anyone the wrong name-- an amusing occurrence at previous weddings of relatives. Thank you so much to the bride's parents, and to every family member and friend who made it to scenic Des Moines, Iowa, to offer support (all those who were there in spirit, too!). It was particularly wonderful to drive away after our little post-reception party while some of our buddies-- great people from high school, college, and New York, most of whom had only just met-- lingered in the parking lot exchanging hugs. Yup, I'm a softie.

For six days, my wife (!!!, etc.) and I kinda worried (only half in jest) someone might be more inclined to pull us over, ding our doors, or at least think we were oil baron fucktards because our rental Pontiac Grand Prix had plates from my mother's native Texas instead of from some famously nice state like, well, Iowa. Is this heaven? While on our honeymoon around Colorado's Rocky Mountain National Park, we hiked up mountains, rafted down rivers, and saw marmots and elk and a dude walking a wolf on a leash. Not even a husky or an akita, dudes. Then, after we lost our car keys near the end of what turned out to be a 10-mile hike, a tale of clumsiness I was prepared to take to my grave, our "fellow Texan" happened. Oh sweet Irony. (Nottingham vs. Bear, other Texans: Hugs!)

Yeah, but the one thing I held back from doing before the wedding, I really should've done. I came up with a playlist for a pre-ceremony "brunch beverages" half hour (to which the girl added the Clientele's "I Want You More Than Ever" for extra length, a good choice even though she assumed I'd be too busy to notice; of course I noticed), and I also planned our prelude, processional, recessional, and first dance (plus managed to passive-aggressively nix a last-minute suggested parental dance involving "Wind Beneath My Wings"). I didn't come up with a comprehensive play list for the DJ because (a) I knew I'd obsess over it for months and never get anything else done and (b) the DJ was a friend of a friend of a friend and I wasn't supposed to act like a big-city know-it-all. The only flaw in a perfect day: He started to play the Midler tune instead of our selected first dance. Afterward, he played the Midler tune anyway. Then he played a bunch of mid-tempo '70s rock, kicking off with a little Kenny Rogers number, effectively clearing the dance floor until a younger relative recommended he play Motown (which we'd asked for many times over the previous weeks) (his response during the reception, apparently: "You mean, like Wild Cherry?"). My hilariously footloose high school buddy Brian unfortunately had to head back to his grandma's in LaCrosse.

They do have newspapers in the Rockies. "Umbrella" is not "just about perfect" (shouldn't we expect a tad more from perfection?); it's a hook. Then again, I don't remember hearing much of the pre-2006 summer songs mentioned in this article (in real time, anyway) even though I was still an actual person back when they I guess dominated the summer. Hey, look, Tom already wrote something kinda great about this! What's especially weird about the article, though, is a cheap Al Gore/global warming joke (even Bill Maher, no stranger to easy jokes, quips how easy these are in his new HBO special). The almost always on-point Kelefa (can I call you Kelefa) writes, "Al Gore's worst nightmare: 52 weeks of summer."

Dudes, if I may, an aside: Either we agree with virtually every relevant scientist and accept global warming as a serious problem, in which case such a joke is awfully silly. Or else we disagree, which is awfully silly. (Third possibility: Editors inserted the gag to meet the paper's Gore joke quota.) In any event, reducing the issue of global warming to whether or not you think you like Gore is a key strategy among reactionary types. If you're inclined to say, "Chill out, weirdo, it's just a joke," you might not realize yet what's been happening since the rise of Rush Limbaugh in the early 1990s, exacerbated by FOX News. Blowjobs, inventing the Internet, "earth tones", windsurfing, gentlemen with expensive haircuts. Rather than dispute the facts, right-wing talkers (and often mainstream journalists) bypass voters' rationality by reducing candidates to convenient punchlines-- which are then picked up by vacuous, nominally liberal punchline-repeaters like Maureen Dowd and Chris Matthews, or even hard-news reporters like the Times' Kit Seelye, who then might attribute the lines to "late-night TV hosts". There's your ManBearPig, Trey and Matt. You let me down. One time.

Our rental car came with free XM Radio-- the Alamo advantage. It's pretty much the cable TV of radio, in a YouTube and DVR age. We did hear a bit of good stuff ("Lipgloss", "Stuntin' Like My Daddy", "Buy U a Drank", the one twiddly guitar bit in Creed's "Higher") amid a lot of extremely terrible stuff ("I'm Going Home", "I'll Stand By You", anything by Linkin Park, the rest of Creed's "Higher"), but I don't think there's anybody who tunes into the '90s channel during a Nirvana song who sticks around for "A Whole New World". The '60s, '70s, and '80s channels were worthless, too. No P4k-y stations on the dial, despite AOL's two (as of 2003!) Internet indie-rock radio stations. A day or two in, the only station we could listen to without switching channels in disgust (despite the occasional lame New Country crossovers... y'all, Travis Tritt ain't interested in bein' politically correct!) was Track 14, Bluegrass Junction. HIGHLY RECOMMENDED. BEST NEW MUSIC.

*love*

Thursday, July 12, 2007

NO ONE CAN LIFT THE DAMN THING


The harder it gets the more he screams "CALL ME ELWAY!"
Brad Neely: American Moments of Maybe

i think people think i'm being funny when i'm being really serious. i don't like to act serious, because i think that's empty. i think most of rock is the opposite. people don't mean anything, but they act sincere and emotional and that's supposed to be enough. like, bands that feel it and they make faces when they sing and they sing this meaningless drivel that's emotive, and people think, "oh, they mean something." but they don't mean anything.
- james murphy


Cool yet desperate, ours yet yours.
Whigfield: Saturday Night

Just so you know, a woman who has as much teaching experience as my fiancee-- a mere three years, mind you-- who claims to have achieved astronomical test score gains no one can document, and who also claims to have been praised to high heaven in countless newspapers despite no evidence of such praise existing, is about to get paid loads of money as chancellor of the Washington, D.C. public schools. Previously, she paid herself loads of money as the head of a nonprofit. Naturally, this woman, one Michelle Rhee, has lots of rich friends who will vouch for her. That's as good as proof of her seemingly bogus qualifications, apparently, because the city council, the New York Times, the Washington Post, and even the Washington City Paper have all stopped asking questions-- whatever, it's only black kids, right? Bob Somerby hears The Music Man.

1. Jonathan Richman: Not So Much to Be Loved as to Love
2. The Lucksmiths: Great Lengths
3. Bob Dylan: New Morning
4. Van Morrison: Sweet Thing
5. The Zombies: This Will Be Our Year
6. Louis Armstrong & Ella Fitzgerald: Our Love Is Here to Stay
7. Gal Costa: Baby
8. Nick Drake: Northern Sky
9. Iron & Wine: Lion's Mane
10. The Softies: It's Love (PRELUDE)
11. Yo La Tengo: Our Way to Fall (PROCESSIONAL)
12. The Divine Comedy: Perfect Lovesong (RECESSIONAL)
13. The Magnetic Fields: The Book of Love (FIRST DANCE)


I think the most important message of all is that we can't let ourselves be like Mark Hogan and forfeit all aspects of our daily lives because we are certain about the day and hour of Christ's return.
Hello Saferide: Long Lost Penpal (feat. Firefox AK)

It's finally time for your offnotes RIFFMARKET Status Ain't Hood Quarterly Report, Mid-Year Traxx Edition. I'm not certain as to numerical placements just yet, but what the hell, we have a world of Boredoms drum thingies to win:

1. UGK: International Player's Anthem (feat. Outkast)
2. LCD Soundsystem: All My Friends
3. Josh Ritter: Right Moves
4. LCD Soundsystem: Someone Great
5. Los Campesinos!: You! Me! Dancing!
6. Simian Mobile Disco: I Believe (feat. Simon Lord)
7. R. Kelly: I'm a Flirt (Remix) (feat. T.I. and T-Pain)
8. The Tough Alliance: First Class Riot
9. The Field: Paw in Your Face
10. Gui Boratto: Beautiful Life

Let's also talk about:
Lullatone: Bedroom Bossa Nova
Lil Mama: Lip Gloss
Justice: D.A.N.C.E. (Radio Edit)
Good Books: Leni (Crystal Castles Remix)
Panda Bear: Comfy in Nautica
Chromatics: In the City
The Honeydrips: (Lack of) Love Will Tear Us Apart (feat. Hanna)
Deerhunter: Wash Off
Arctic Monkeys: Do Me a Favour
Frankie Valli: Beggin' (Pilooski Edit)
Cool Kids: Mikey Rocks
Curtis Vodka: Hey Girl
Amerie: Gotta Work
The Tough Alliance: Silly Crimes
Lil Wayne: Black Republicans (feat. Juelz Santana)
Lil Wayne: Upgrade (Freestyle)
Young Jeezy: 3AM (feat. Timbaland)
Taken By Trees: Lost and Found
Art Brut: Direct Hit
Avril Lavigne: Girlfriend (Remix) (Feat. Lil Mama)
Ne-Yo: Because of You (Radio Edit)
Natasha Bedingfield: I Wanna Have Your Babies
The Postmarks: Winter Spring Summer Fall
A Sunny Day in Glasgow: 5:15
The Teenagers: Homecoming
WinterKids: Tape It
DJ Khaled: We Takin' Over (feat. Akon, T.I., Rick Ross, Fat Joe, Birdman & Lil Wayne)
The Go! Team: Grip Like a Vice
Swizz Beatz: It's Me Bitches
The Good, the Bad, and the Queens: 80s Song
Young Jeezy feat. R. Kelly: Go Getta
Simian Mobile Disco: It's the Beat (The Teenagers remix)
Fat Joe: Make It Rain (feat. TI, R. Kelly, Rick Ross, Lil Wayne & Baby)
Sly Hats: Vampire Sips (Muscles Remix)
Robin Thicke: Lost Without U
Kate Nash: Foundations
Feist: I Feel It All
Lucky Soul: Lips Are Unhappy
Gruff Rhys: Skylon!
No Age: Neck Escaper
Roisin Murphy: Overpowered
Matthew Dear: Deserter

SUMMER RERUNS UNTIL AFTER THE HONEYMOON. THE NEXT TIME YOU SEE ME, I WILL BE MR. MARC HOGAN.


Hand in hand on the nursing home bus.
UGK: International Player's Anthem (feat. Outkast)

Sunday, July 8, 2007

WE HAVE A WORLD OF PLEASURE TO WIN, AND NOTHING TO LOSE BUT BOREDOM


Come as you are as a friend as I want you to be.
The Honeydrips: (Lack of) Love Will Tear Us Apart (feat. Hanna)

"[W]e commented from the outside looking in. And that's what a lot of people have difficulty doing nowadays. There is no longer an 'outside'. They have no idea what the outside is. Some people think the Gap is outside."
- Genesis Breyer P-Orridge, in the July issue of The Wire


Name one person who thinks the Gap is "outside".


We all gotta live with the fact that we aren't Bob Dylan.
Hot Chocolate: It Started With a Kiss

Better never than late: Chinese Democracy. Better late than never: your offnotes RIFFMARKET Status Ain't Hood Quarterly Report, mid-year albums edition (traxx list ideally finally arriving before my wedding date).

1. Deerhunter: Cryptograms/Fluorescent Grey double-LP


2. LCD Soundsystem: Sound of Silver


3. Lil Wayne: Da Drought 3


4. The Tough Alliance: A New Chance


5. Josh Ritter: The Historical Conquests of Josh Ritter


6. The Field: From Here We Go Sublime
7. Panda Bear: Person Pitch
8. Sally Shapiro: Disco Romance
9. Feist: The Reminder
10. Simian Mobile Disco: Attack Decay Sustain Release

11. Justice: †
12. Art Brut: It's a Bit Complicated
13. Battles: Mirrored
14. Los Campesinos!: Sticking Fingers Into Sockets
15. Various Artists: After Dark
16. The Good, the Bad, and the Queen: The Good, the Bad, and the Queen
17. Lucky Soul: The Great Unwanted
18. The Tough Alliance: New Waves EP
19. Air France: On Trade Winds EP
20. The Twilight Sad: Fourteen Autumns and Fifteen Winters

PLUS:
A Sunny Day in Glasgow: Scribble Mural Comic Journal
The Clientele: God Save the Clientele
Dan Deacon: Spiderman of the Rings
Gruff Rhys: Candylion
Gui Boratto: Chromophobia
Dinosaur Jr.: Beyond
King Khan & the Shrines: What Is?!
The Postmarks: The Postmarks
Lullatone: Plays Pajama Pop Por Vous
The Crayon Fields: Animal Bells
Sakert!: Sakert!
Spoon: Ga Ga Ga Ga Ga
Blitzen Trapper: Wild Mountain Nation
Deerhoof: Friend Opportunity
The National: Boxer
Electrelane: No Shouts, No Calls
The Studio: Yearbook 1
Okkervil River: The Stage Names (probably with a bullet)
Taken By Trees: Open Fields
Pantha Du Prince: This Bliss
David Torn: Prezens
Marnie Stern: In Advance of the Broken Arm
Bowerbirds: Hymns for a Dark Horse
Matthew Dear: Asa Breed
The Tuss: Rushup Edge EP
Lil Wayne: The Greatest Rapper Alive
The Manhattan Love Suicides: The Manhattan Love Suicides
Junior Boys: Dead Horse EP
Young Jeezy: The Inspiration
No Age: Weirdo Rippers
Klaxons: Klaxons
Kathy Diamond: Miss Diamond to You
The Capstan Shafts: Her Versus the Sad Cold Eventually
Liars: Liars
!!!: Myth Takes
No Age: Weirdo Rippers
Sea and Cake: Everybody
Frog Eyes: Tears of the Valedictorian
A-Trak: Dirty South Dance
Ne-Yo: Because of You
Deerhoof: Friend Opportunity
Grinderman: Grinderman
Nas: Hip-Hop Is Dead
Stars of the Lid: And Their Refinement of the Decline
Ricardo Villalobos: Fizheuer Zieheuer
Arctic Monkeys: Favourite Worst Nightmare
Amerie: Because I Love It
Swizz Beatz: One Man Band Man
Boris with Michio Kurihara: Rainbow


Want you to turn the lights off, me on.
Gorillaz vs. Men Without Hats: The Safety Dance

TOO SOON TO CALL:
Animal Collective, Super Furry Animals, all the stuff I really like that I forgot

Wednesday, June 27, 2007

AM I MAKING ALL THE RIGHT MOVES?


Let me remind you that I am the king of R&B.
Jeffrey Lewis: Moving

Justice - Essential Mix

Linger & Quiet - Nightclubbing Mix (for a Portland club night with Mike Simonetti of Italians Do It Better)

The Washington Post's Emily Yoffe (and Fred Hiatt) have been scaring children.

Look for a Simian Mobile Disco review in the Village Voice this week (I think -- maybe next). Doesn't seem to be online yet. UPDATE: Here it is.


You never told me that you were anybody.
Vanessa Paradis: Be My Baby

Thursday, June 21, 2007

MY DOUBLE THOUGHTS ARE CLEARER NOW THAT I AM SEEING DOUBLE


The string section's screaming like horses in a barn burnin' up.
Josh Ritter: Rumors (clip)

Got soap in my eyes yesterday. Stang like a pissed-off hornet. I half-remembered the reason pain probably hurts so much more when you're very young. It's because you're not old enough yet to know it won't last forever. Cue the waterworks! Now there's just a grimace and a few blinks, maybe a "fuck". Fuck. No more tears.

It's gonna be hard to believe if you know me today, but there was a time in college when I swore I didn't believe in love. Naw, man, it's just, like, a fantasy people make up to rationalize sex. Or, like, a brand the advertising firms and Hollywood sell us now that God is only friends with Mitt Romney and Fred Thompson. I just believed in John Lennon.

I count myself lucky to know one dear friend, in particular, who would not let my bullshit on this stand. He'd already loved and lost, hurt like hell, knew of what he spoke, and my words must've been salt in his wounds. Soap in his eyes.


You're free to push me, and I'm free to fall.
Chromatics: In the City

Of course, everything changed when I met a girl who could put up with me. Belief is funny like that. I'll never forget my friend saying, even early on, something like, "So, do you still not believe in love?" Haw haw.

Now I'm getting married in, OMG, about three weeks. Love is real, and there's no way I deserve it more than this guy. I don't want to get exploitative here and go into too much detail, but: I'm sorry, man. Bro grabs.


The worst crime that I ever did was play some rock 'n' roll.
Bird Names: Damnation

The New York Times' Patrick Healy can eat squirrel poop. (Irish! Good man, Chris Matthews would say.)

The Washington Post's Alan Ehrenhalt can eat Healy's squirrel-poop poop.

My Spin review of Swizz Beatz. (Better than squirrel poop!)

Thursday, June 7, 2007

THE CREME OF THE DE LA CREME


Sorrow at the thought of man's mortality accompanied by a fugitive sense that the moment is immortal.
The Professor Brothers: Fliff Night, Part 1

Totally by accident, I ended up becoming the wrong kind of R. Kelly fan. I'm pretty sure I'm not the only guy who, when I was young and irresponsible, held a (young and irresponsible) negative opinion of Chicago's self-proclaimed "King of R&B." Like a good product of demographic marketing, I preferred the Smashing Pumpkins' Batman and Robin song to Kelly's "Gotham City"; I probably still do. I'd mostly stopped listening to Michael Jackson after "Black or White", so I never spent much time with his Kelly-penned No. 1 "You Are Not Alone". But even though I can see why those songs were hits-- just as I can see why Kelly collaborator Celine Dion's "My Heart Will Go On" was a hit-- I still don't much want to hear them. If Kelly's 1993 debut, 12 Play, had come out a few months earlier, I might have played it between my (in retrospect for an 11-year-old in the Sierra Nevada foothills kinda strange) tapes by horny loverboys Silk, H-Town, and Jodeci. Instead I discovered the alternative rock radio station.

Perhaps like many of you, I was utterly blown away in 2003 by Kelly's "Ignition (Remix)", which remains one of my favorite recordings of the, um, 21st century. Unlike the following summers' hip-hop/indie crossover hits, Outkast's "Hey Ya" or Gnarls Barkley's "Crazy", I can still listen to "Ignition" even though I played the hell out of it. I didn't go nuts for what I heard of Happy People/U Saved Me, but I loved loved loved TP.3 Reloaded-era B-side "In the Kitchen (Remix)" (in retrospect a sign of the weird scenes to come inside the Kelly gold mine). I enjoyed the silly "Trapped in the Closet" saga with everybody else, even if my thoughts about it were complicated. Johnny Rotten: "Ever get the feeling you've been cheated?"

This year, I've found myself astounded again and again by Kelly's many inspired guest appearances. At their best, Kelly's cameos rival those of famed scene-stealers Ludacris and, more recently, Andre 3000. Kelly, whose own songs often feature rappers like Snoop Dogg or T.I., has used his string of guest appearances as if he were one, too-- showing up the actual emcees on Young Jeezy's "Go Getta" or Fat Joe's "Make It Rain (Remix)", and hyping his larger-than-life persona. On Swizz Beatz' "It's Me Bitches (Remix)", Kelly even vanquishes the shit-hot Lil' Wayne. Pitchfork's Dave Maher once suggested to me that perhaps an outsize character like Kelly or Dre feels more natural being weird in these one-offs than over the course of a full-length album, where those eccentricities can pile up until both dudes seem all too human. Makes sense: The only Kelly guest spot I've heard this year that underwhelmed was on Twista's unfortunate Mims parody, "This Is Why I'm Cold".


We mustn't misunderstand on purpose.
Fanfarlo: You're One of the Few Outsiders Who Really Understands Us

So what's the problem here, you ask? Forgive me, Boss Schreiber, for I might not be as different as every hipster-basher imagines himself or herself to be from these douchebags. In a highly perceptive Pitchfork review, Ryan Dombal defines R. Kelly's current persona as "Singing Comedian," citing ridiculous concert footage and viewing the album as an attempt by the singer to spoof himself better than Dave Chappelle or Weird Al. In an equally great read at the Baltimore City Paper, fellow Pitchfork writer Jess Harvell takes aim at the kind of people who actually enjoy Kelly in this guise, i.e., "rubberneckers who couldn't have cared less about the lung-busting slow jams and ballads that were his bread and butter in the '90s." Ouch. Harvell also quotes the Mountain Goats' John Darnielle-- the singer-songwriter who just happened to write my favorite piece of "Ignition (Remix)" criticism-- giving the Kelly-as-comedian angle its inevitable racial twist: "I oppose the critical Buckwheatification of R. Kelly..."

The problem is that on one level they're right. Dombal correctly dings Double Up for occasionally being not very good as comedy and for lacking more pop songs as re-playable as "I'm a Flirt (Remix)" and "Hook It Up". Harvell mostly agrees about the album's flaws, and he's right that people looking to enjoy Kelly by laughing at his (to them) unintentional hilarity are missing out. To Darnielle's point: If there are white people who like a black artist only because they think he's missing his own jokes, that's pretty shitty. (Then again, Wesley Willis was awesome. Moral complexities are complex.)

On another level, they're talking about... people like me, fuck! Except I'm sure Kelly is well aware of how funny he is; anybody who has watched past the first few "Trapped in the Closet" videos would have to be able to see that. While I agree that Kelly's latest album is a disappointment and that many indie-oriented listeners might not be getting all they could out of his music, I'm not nearly as opposed as Harvell or Darnielle are to Kelly-as-comedian per se. Couldn't we just as easily imagine that, rather than white hipsters being even dumber than everybody (especially white hipsters) already thinks they are, maybe instead R. Kelly is actually even smarter than we give him credit for? (There, now you've got me ending sentences in prepositions!)

Your memories become fantasies if they are not shared, and your life in all its triviality becomes a legend.
Cousin Cole: Party Like a Rock Star (Remix) (also, here) (Dombal has this too)

I'd like to be more familiar with Kelly's '90s catalogue. But when people who are bigger Kelly fans than I am tell me why that stuff was great, it's invariably for the same reasons you might say, I dunno, Japanese automakers are great. Harvell again: "One question you'd hope those who appreciate music for its camp or ironic qualities--or fans of 'outsider art'--occasionally ask themselves is at what point appreciating an artist more for their musical and personal eccentricities than for their craft becomes an insult." We should be enjoying Kelly's songs, it seems, for their "craft" and "formal excellence". Certainly not because they're funny. By that standard, though I'm pretty sure Jess wouldn't go this far, Kelly's more recent escapades-- "Sex Planet", "Real Talk", or even "Trapped in the Closet"-- are an insult to his own talent. Plus, nobody's even discussing R. Kelly TV yet.

What if Kelly's talent is bigger than all that? Part of his genius, from where I sit, is an ability to win the love of different audiences for entirely different reasons. There are people who listen to "Bump N Grind" ironically, and there are (were?) people who listened to it unironically. There are people who listened to R. Kelly's No. 1 collaboration with Celine Dion and found it inspirational, and there are people who didn't listen to it. There are people who want to hear him sing about the tragedies of our time, Hurricane Katrina or the Virginia Tech shootings, and there are people who want to laugh at his jokes.

A true entertainer, Kelly delivers to all of these audiences and more. Another thing: Smart people have pointed out the sublime craft of some of Kelly's early songs, such as "The World's Greatest", and helped me hear them in new light. But craft isn't the end-all, be-all, of course, or else we'd only listen to Brill Building songwriters or, like, Randy Newman. In a Rolling Stone review of Newman's 1977 Little Criminals, Greil Marcus once spoke of "craft without vision." The implication: Some things (vision, apparently) are more important than craft. In other words, there can be defensible reasons-- try wit, humor, verve, or at least one of the threadbare synonyms for catchiness-- why I might enjoy "Ignition (Remix)" or "I'm a Flirt (Remix)" or, fuck, "Make It Rain (Remix)" more than I do Kelly's biggest ballads. So I'm not an asshole. Am I?

One of my favorite bands in the entire world is London's Art Brut, who have another great album coming out this year, It's a Bit Complicated. These guys strip me of my critical pretensions and reduce me to a gibbering, incoherent fan-- in the end, the funnest thing for a critic to be. Many people like to call them "ironic." Other people, myself included, insist singer Eddie Argos (who also writes a sharp blog for the Guardian) is being completely sincere. The catch: Art Brut can be both at the same time; they may truly be as stupidly excited about having "Formed a Band" as they sound, but they know how clever it is to sing a song about it, too. I contend that this ability to be (or seem) ironic without being insincere, more than any sonic similarities, is what Argos has in common with the Modern Lovers' Jonathan Richman.

By the time I heard Double Up's "Having a Baby", in which Kelly sings about childbirth both 100% banally and 100% hilariously, I realized that Kelly might be a second heir to the legacy of Richman songs like "Pablo Picasso", "Government Center", or the acoustic pop that got the ex-Modern Lover into There's Something About Mary-- songs where Richman's voice sounds totally heartfelt, but still somehow leaves you feeling as if you're in on (or missing) a secret joke. "In nine months a child will be born/ Baby you're pregnant in April, which means we're having a Capricorn," Kelly deadpans, and/or sings straight. On Modern Lovers' "I'm Straight", doesn't Richman sound at least a little, um, stoned?

Maybe I'm the wrong kind of Jonathan Richman fan. Bro grabs.

When y'all get 80, 70, 60, 55 years old, Michiko Kakutani gonna be sittin' in a rockin' chair by herself.
Twa Toots: Please Don't Play 'A Rainy Night in Georgia' (via Skatterbrain)

Wednesday, June 6, 2007

THE CHAMP IS HERE


Justify all your phases.
Indeep: Last Night a DJ Saved My Life

The "Draft Alan Keyes" movement is totally on. From a right-wing mailing list to which I happen to subscribe:

Dear Friends of Alan Keyes,

Several times a week, we at RenewAmerica receive messages from moral conservatives and concerned citizens encouraging Alan Keyes to run for president in 2008 (messages we pass on to him).

Typically, these messages express dissatisfaction with the current field of candidates and ask Alan to enter the Republican primaries--the most wide-open presidential race in 60 years...

In response to these expressions of confidence in Alan, we've launched a new website--AlanKeyes.com--to rally support for Alan's possible candidacy.

Alan believes that the American people are the key to restoring and sustaining a renewal of the values that are essential to the future of our nation. He has therefore assured us that if enough grassroots support exists for him to run, he is prepared to run.


The bold and italics are both theirs. Music fans may remember Alan Keyes (who unsuccessfully ran against Barack Obama in his 2004 Senate bid) as the 2000 Republican presidential candidate who dove into a mosh pit at a Rage Against the Machine show. An even more conservative candidate, Gary Bauer, later criticized Keyes for supporting an "anti-family" and "pro-terrorist" band called "The Machine Rages On."

Good news for David Broder, would-be Xgau of all political pundits, who won't have to be bored anymore. But bad news, too, because the good Dean might have to wake up from his long multi-decade nap.

Plus: Wingnuts react!